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Review

CD Review: La Clemenza di Tito in Baden-Baden

The beauty of Rebeka’s singing makes this transformation especially apparent. Musically and dramatically, few singers manage to embody a character as completely as {…}

Review

Reviews: La Traviata at Opéra National de Paris

But it is obviously Marina Rebeka , in the title role, who wins all the votes. Accustomed to the role, she has already performed at the Metropolitan and London, she {…}

Review

Concerti: Review Amor fatale

Selten wohl sind Liebe und Leid so im Einklang wie in dieser Sammlung, gebannt durch Melancholie und Glanz.

Review

gramophone.co.uk: Review Amor fatale

It’s a big, glossy sound, with an evenly produced – and somewhat uniformly applied – lusciousness of timbre. The singing is completely secure, and her coloratura {…}

Review

The Pearl Fishers / Lyric Opera of Chicago

Last heard as Donna Anna in Mozart’s “Don Giovanni” to begin Lyric’s 2014-15 season, Rebeka sang luminously as the ethereal Leila, tracing the delicate {…}

Chicago Tribune
Review

“Amor Fatale” reviews

La soprano Marina Rebeka es sin duda una de las voces más interesantes que el panorama actual nos ofrece, y su afinidad con el repertorio del de Pesaro quedó patente {…}

Pedro Coco Jiménez, Forum Clásico
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