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Review

La clemenza di Tito / Opernhaus Zurich

A wealth of resources and certainly worthy of praising style, with absolute control of her voice and a seemingly easy interpretation of an admittedly complex score.

“Although the feature of La clemenza di Tito seems to be an operatic tenor, it often lends itself to the responsibility of the soprano role of Vittelia to eclipse the entire event. That just happened in these performances in Zurich, with the splendid work of the Latvian soprano Marina Rebeka as a daughter of the deposed Emperor Vitellius. Smart, strong, powerful, precise … A wealth of resources and certainly worthy of praising style, with absolute control of her voice and a seemingly easy interpretation of an admittedly complex score.”

{Aunque a priori La clemenza di Tito parezca ser una ópera de tenor, se presta a menudo a que la soprano responsable del rol de Vittelia eclipse toda la función. Eso precisamente sucedió en estas representaciones de Zurich, con el espléndido trabajo de la solista letona Marina Rebeka como hija del depuesto emperador Vitelio. Elegante, firme, poderosa, precisa… Un derroche de medios y de estilo ciertamente digno de elogio, con un control absoluto de su voz y una recreación aparentemente fácil de una partitura ciertamente compleja.}

Alejandro Martínez – Platea Magazine