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Review

La clemenza di Tito, Festspielhaus Baden-Baden

Marina Rebeka...as she portrayed the jealousy and hate ridden Vitellia, was both dramatically and emotionally committed.

“A real discovery is Marina Rebeka from Latvia as Vitellia, not a fury, but a loving, suffering, torn woman; She was touching in the rondo “Non più di fiori.”

{Eine echte Entdeckung ist Marina Rebeka aus Lettland als Vitellia, keine Furie, sondern eine liebende, leidende, zerrissene Frau; anrührend das Rondo »Non più di fiori«.}

Dietrich Mack – BO.de